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amici (2024) Drawing by Stefano Galli

Pastel on Paper, 12.6x18.1 in
$540.98
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  • Pencil on Paper
  • Dimensions Height 12.6in, Width 18.1in
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Amici. Finalmente la battaglia finì; non perché qualcuno avesse vinto, ma per mancanza di contendenti. Mi alzai da terra dove ero stato scaraventato dallo spostamento d'aria di una granata; mi guardai. intorno: era un miscuglio di carne e acciaio. Ripetei più volte dentro di me "nessuno ha vinto!'"; è il. difetto di ogni guerra: nessuno vince. Mi parve [...]
Amici

Finalmente la battaglia finì; non perché qualcuno avesse vinto, ma per mancanza di contendenti.
Mi alzai da terra dove ero stato scaraventato dallo spostamento d'aria di una granata; mi guardai
intorno: era un miscuglio di carne e acciaio. Ripetei più volte dentro di me "nessuno ha vinto!'"; è il
difetto di ogni guerra: nessuno vince. Mi parve di sentire il mio nome: "Riccardo, Riccardo" . Mi
girai intorno per meglio sentire. Poco più non là, da un corpo metallico sentivo pronunciare il mio
nome. Mi avvicinai e un robot, dondolando una mano colma di debolezza mi chiese:" Dunque non
mi riconosci?" Lo riconobbi: era Serse, il vecchio mio robot serie seimila; erano ormai tre anni da
quando, un giorno, non era più tornato a casa. Il mio vecchio Serse, quello che mi vide nascere e
poi giocare con me sia da piccolo, sia da grande. Mi precipitai da lui per vederlo, abbracciarlo e
capire quanto fosse ferito. Stava spegnendosi, ma ebbe ancora forza per ringraziare la fortuna di
avermi visto poi, con voce calma, mi disse che gli pareva impossibile che spegnendosi finisse tutto
per lui e così per tutti i robot. Noi umani avevamo inferno e paradiso, sarebbe stato bello che
anche per loro, ci fosse un piccolo angolo di paradiso e morì. Non persi un attimo, gli svitai la
calotta e recuperata la barretta della memoria la avvolsi in un fazzoletto e me la infilai in tasca.
Non potevo donargli un po' di paradiso, ma la scatola della memoria, quella avrei potuto riattivarla
e avere ancora un inno di Serse con me
Dalla memoria di Serse, estrassi tanti ricordi; seppi anche che era stato arruolato a forza e spedito
nelle aree orientali. Ascoltavo spesso i suoi ricordi finché un giorno sentii dirmi "ciao Riccardo":
aveva trovato il suo angolo di paradiso.

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Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive a schism between the foundational [...]

Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive a schism between the foundational principles of industrial and civil design and his lifelong commitment to art, Galli embarked on a journey where creativity and functionality coalesce.

Drawing inspiration from futurism, metaphysics, and surrealism, Galli's paintings bear the unmistakable imprint of these influential artistic movements, all while maintaining a distinct connection to the world of comics. His artistic vision transcends mere visual representation, delving into the realm of narrative composition. Themes, rich with inspiration, serve as the scaffolding upon which he constructs intricate narrative paths, often intertwining stories with images. Renowned art critic Prof. Philippe Daverio characterizes Galli's artistic expression as "meta-real," a playful manipulation of reality that distorts visual perception while affirming a concept of continuity between opposing forces—between the above and the below, the inside and the outside.

The evolution of Galli's painting unfolds as a nuanced exploration of interiors and exteriors in both space and time. His canvases feature perspectives dramatically altered to convey the absence of traditional spatial and temporal constraints, offering a singular tableau where deformation begets multiple viewpoints. In his hands, the canvas becomes a storytelling medium, akin to comic strips, allowing viewers to transcend time with a single glance. Galli emerges as a modern storyteller, utilizing the language of painting to present a dynamic fusion of narratives seen through the lens of art.

Galli's artistic triumphs have found homes in numerous collections across Italy and beyond. His works grace the walls of private collectors in Switzerland, , Belgium, , England, Spain, Russia, and the United Arab Emirates.

The Artist was highlighted in an article in ArtMajeur Magazine:

See more from Stefano Galli

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