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Finestra con arco in pietra (2024) Drawing by Rosario Iazzetta

Ink on Paper, 5.1x3.5 in
$242.79
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Fine art paper, 9x8 in

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  1334 px  

1500 px
Dimensions of the file (px) 1334x1500
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  • Ink on Paper
  • Dimensions Height 5.1in, Width 3.5in
  • Artwork's condition The artwork is in very good condition
  • Framing This artwork is not framed
  • Categories Architecture
Questo lavoro nasce come uno schizzo per una incisione ad acquaforte. L'immagine rappresenta il ricordo di una finestra di un casino di caccia di fine 800 presso Napoli. Il disegno è stato realizzato con inchiostro nero. About this artwork: Classification, Techniques & Styles. Ink. A strongly tinted liquid or paste that is used to mark paper or other [...]
Questo lavoro nasce come uno schizzo per una incisione ad acquaforte. L'immagine rappresenta il ricordo di una finestra di un casino di caccia di fine 800 presso Napoli. Il disegno è stato realizzato con inchiostro nero.
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Iazzetta Rosario nasce a Napoli il 13 Settembre del 1972. Frequenta il secondo "ISA" - Istituto Statale d'Arte di Napoli con indirizzo Grafica e Stampa. Ha come maestro di plastica il professore Antonio Giannino [...]

Iazzetta Rosario nasce a Napoli il 13 Settembre del 1972. Frequenta il secondo "ISA" - Istituto Statale d'Arte di Napoli con indirizzo Grafica e Stampa. Ha come maestro di plastica il professore Antonio Giannino allievo di Emilio Greco. Elemento predominante è la materia grafica, il disegno come ricerca e formazione. Tutt'ora il segno distintivo son le tecniche grafiche, in special modo inchiostro e matita nera. Ciò fornisce gran stabilità a quello che in seguito lo impegnerà nello studio della tecnica della pittura ad olio su tavola. I soggetti preferiti sono il figurativo, in particolar modo il ritratto. Ciò che distinguerà maggiormente la propria attività non sarà solo l'intensa produzione grafica, bensì l'idea della realizzazione di una vera bottega d'arte specializzata nella riproduzione del disegno classico d'autore attraverso la copia dei disegni dei maestri del ato con l'utilizzo degli stessi materiali: matita nera, carboncino, sanguigna, penna d'oca o pennino, punta d'argento e punta di piombo su carta preparata. Ogni opera è realizzata interamente a mano, non vi è alcuna traccia dell'utilizzo di proiettori, stampe, photoshop o altro. Le copie realizzate non sono dei falsi d’autore! In gran parte è realizzato su commissione come in una vera bottega del rinascimento.

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