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Diptych II. The Tenacious (2022) Painting by Mikhail Sol
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It portrays an autocrat perpetually struggling to maintain their position. This piece reflects the fine line between strength and vulnerability, remaining an emblematic symbol of the contemporary political landscape. Each of them promises not to cling to the chair with blue fingers, but in the end it hangs only on them. A knowledgeable person said that you need to be patient a little more and not rock the boat, because fingers might slip off.
This diptych will not only be a striking focal point of your interior but also a valuable addition to any collection, inspiring contemplation and discussion. Every detail, every stroke, embodies artistic mastery and deep conceptual thought. By acquiring this piece, you become the owner of a true masterpiece of contemporary art that integrates historical and psychological contexts, prompting reflection on power and our role within its realm.
Related themes
"I explore the nature of the unconscious and strive to create new myths that reflect the modern world. My paintings are a dialogue between darkness and light, beauty and pain, the personal and the universal. I believe humanity is in a constant search for answers about its own nature, and art serves as a guide to these depths.
My images are not illustrations of past myths but autonomous archetypes born from my inner world. They are dramatic, filled with ion and conflict, and address eternal themes: fear, loss, despair. Through the plastic beauty of the human body, I seek to convey an inner radiance that always emerges from darkness.
In my work, I avoid social contexts, choosing instead to speak a language that transcends time. This allows the viewer to focus on eternal questions that remain relevant regardless of the era. For me, art is not about text or experimentation for the sake of experimentation; it is a deeply personal statement capable of speaking for itself."
- Nationality: RUSSIA
- Date of birth : 1991
- Artistic domains:
- Groups: Russian Contemporary Artists
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