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L'abandon (2024) Sculpture by Dominique Ganiage

Sculpture - Clay, 8.3x14.6 in
$1,466.19
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  • Clay
  • Dimensions Height 8.3in, Width 14.6in / 4.50 kg
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Nude
Cet homme est-il au repos, en sommeil, épuisé, s'abandonne-t-il à lui-même ou est-il envahi par la tristesse, la solitude? On ne voit son visage, laissant libre cours à notre émotion. Cette impression est renforcée par la texture brute, le recours. l'argile avec son caractère organique, la marque de la touche. Cette sculpture est né du souvenir de [...]
Cet homme est-il au repos, en sommeil, épuisé, s'abandonne-t-il à lui-même ou est-il envahi par la tristesse, la solitude?
On ne voit son visage, laissant libre cours à notre émotion
Cette impression est renforcée par la texture brute, le recours. l'argile avec son caractère organique, la marque de la touche.

Cette sculpture est né du souvenir de l’ambiguïté des images et des attitudes et de la représentation que nous nous faisons des autres.
Cette expérience est aussi celle du triangle que forme l'artiste, l'oeuvre et celui qui la regarde, expérience plurielle et changeante au fil des émotions de chacun.

Related themes

Society

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Dominique Ganiage est une sculptrice française. Elle a étudié avec Véronique Jestin, élève d'Etienne Martin, et Indra Milo. Elle travaille quasi exclusivement la terre, brute ou patinée, pour sa dimension essentielle, [...]

Dominique Ganiage est une sculptrice française. Elle a étudié avec Véronique Jestin, élève d'Etienne Martin, et Indra Milo. Elle travaille quasi exclusivement la terre, brute ou patinée, pour sa dimension essentielle, plastique et indocile, comme son caractère prométhéen. Son style est éloigné des courants, mais on en retient des résonnances avec les mondes de Bourdelle et d’Ousmane Sow. Jamais lisse, en écho à un monde qui ne l’est pas, il est marqué par la permanence de la trace de la touche, l’énergie de l’élan créatif premier, l’ombre et la lumière. Animée par le souci d’aller à l’essentiel et de trouver les traits profonds qui vont donner vie à l’œuvre, elle cherche à rendre compte d’un monde âpre mais humain. Son travail est traversé par une double tension entre force et sensibilité, puissance et émotion. Son œuvre orientée au départ vers le corps, s’est élargie aux portraits et visages, puis aux roches et paysages, avec des incursions animalières centrées sur les félins. Elle expose régulièrement à Paris et Ile de .

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